HRVY – ME BECAUSE OF YOU


Haschak Sisters – Text Him Back

Haschak Sisters – Text Him Back


Girls night What are you going to do if a guy gives you his phone number I’m with my girls tonight I ain’t gonna text him back Oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh I ain’t gonna, ain’t gonna text him back Smooth wit it
Hold up wait— let me finish He might know what to say— but I’ma hit him in a minute Probly not though, sorry for the curve Nothin’ personal— But I’m with my girls Two hours, we’ve been at it— two hours Getting ready, music playing— turn it up louder! Make up done, got the hair done too
Four door, with the- with the moon roof Don’t see- anything but open road Hit me- if you want but you should know Oh woah— I ain’t gonna text him back Oh woah— I’mma dance all night, ya We’re having the time of our lives and
I ain’t gonna, ain’t gonna text him back Oh woah— I ain’t gonna text him back Oh woah— I’mma dance all night, ya We’re having the time of our lives and
I ain’t gonna, ain’t gonna text him back Ohh – we so cool – cool with it
And we doing what we want, no rules – rules with it and we Dancing like no bodies watching us, ya
Even though, the boys are walking up Here they go again, asking for the number
Should ya let him know, or should ya make him wonder That we ain’t out here looking for no one, ya Ya we good on our own, good on our own! Don’t see- anything, move with the flow Hit me- if you want but you should know Oh woah— I ain’t gonna text him back Oh woah— I’mma dance all night, ya We’re having the time of our lives and
I ain’t gonna, ain’t gonna text him back Oh woah— I ain’t gonna text him back Oh woah— I’mma dance all night, ya We’re having the time of our lives and
I ain’t gonna, ain’t gonna text him back I ain’t gonna text him back I’mma dance all night, ya We’re having the time of my life and
I ain’t gonna, ain’t gonna text him back I ain’t gonna text him back I’mma dance all night, ya I’m having the time of my life and I ain’t gonna, ain’t gonna text him back Oh woah— I ain’t gonna text him back Oh woah— I’mma dance all night, ya We’re having the time of our lives and
I ain’t gonna, ain’t gonna text him back Oh woah— I ain’t gonna text him back Oh woah— I’mma dance all night, ya We’re having the time of our lives and I ain’t gonna, ain’t gonna text him back

George MacKay Reveals His Most Dramatic Scene in 1917 Was a Mistake

George MacKay Reveals His Most Dramatic Scene in 1917 Was a Mistake


-George. Welcome to our show. Thank you for being here. -Thank you.
Thanks for having me. -Congratulations. “1917” won two Golden Globes
over the weekend. It won for Best Director
and Best Film. Not too shabby, buddy. [ Cheers and applause ]
-Yeah, thank you. Thank you very much. -How did it feel? Did you have fun
at the Golden Globes? -Yeah, yeah. It was mad. You know, I’ve obviously
never been before. And it was just —
It was kind of crazy. You know, you’re seeing all
these people that you recognize, that you’ve been
growing up watching. It was — It was good. -You must be getting
great feedback. This movie is phenomenal.
-Yeah, yeah. It’s been — It’s wonderful, like, for the
team, for everyone who did it. You know, it’s just —
it’s great. You know, when you have, like —
When a job means so much to you when you’re doing it, when it
aligns with a good reception, It’s a good thing, so… -When Sam was accepting
the Golden Globe, he said that when
he made this movie he wanted to cast two unknowns. Are you fine
being called an “unknown”? -Yeah, I think —
You know, I am an unknown. So I’ve got to be okay with it. -No, I think you’re
actually becoming known. -Well, maybe — I don’t know.
-Yeah. That’s the last — [ Cheers and applause ]
That’s the last of the unknown. It’s over.
-Well, who knows? -You’ll never be unknown again.
-From this point on. -Well, tell everyone what “1917”
is about basically. -Well, “1917” is set
in the First World War. And it’s the story of these
two soldiers who get tasked with delivering a message to
stop an attack from happening. And one of those soldiers,
their brother is in this attack. And they’re heading into
what they think is open ground, but they’re heading into, you
know, what could be a massacre, and it’s our job to get there
before they do. -It is totally amazing to watch. ‘Cause when I walked into it,
everyone’s like, “Oh, it looks like
the whole thing is basically one tracking shot,”
and it does look like that. But I’ve heard like,
no, it wasn’t. It’s, like, different scenes — Like, eight-minute scenes
stitched together. -Yeah, yeah, yeah.
-How did you film this movie? It was unbeliev– It’s insane. -We rehearsed for
six months beforehand. ‘Cause you’ve got to basically
choreograph the entire film. Because, you know,
usually you have an edit, and you can kind of, like,
suss out the rhythm of a scene. But the rhythm of the scene
dictates the length of the set, ’cause everything has
got to be made to measure. -Yeah.
-So we rehearsed. We started out
on an empty field, you know, six months before
we started shooting. -With trenches dug?
-No. No trenches. Literally just looking
like a bunch of mad people in big coats with our scripts. -Are you afraid
that you might mess up? ‘Cause if you mess up a take, then everyone’s
got to redo the — I mean — -Yeah, we had that, as well.
You know? I had a few times where I was
responsible for, you know — You’re six minutes
into like a seven-minute take, and the rifle
falls off your shoulder. Like, something really, like,
kind of pithy like that. -Because you have to do
all these, like — I mean, if you look at this — There’s all these explosions
everywhere. I think that’s you. -Yeah. Yeah.
-I remember that scene. But what if you mess up
your line when you land? -Yeah. Well, I mean, you can’t.
[ Laughs ] -You really can’t.
But it’s just — It’s wild. And it’s powerful.
And I just — I think my favorite scene,
I think, is just you running and just —
everyone’s bumping into you. -Yeah, well, that’s — that’s
a mistake that made it in. That wasn’t meant to happen.
-Really? -Yeah, yeah.
We’re doing this scene. And it’s, yeah, a point in
the film where my character’s got no choice
but to make this big run, and this attack’s
happening simultaneously. And, again,
we’d rehearsed it for weeks, and we’d rehearsed that
he didn’t get knocked into. And then on the day,
you know, you take some hits. But the rule is you don’t stop
unless they say stop. So we just — we just —
-How do you know that? This is your first big thing.
Right? -You just kind of trust that, you know,
you just got to carry on. -I want to show everyone a clip
of that running scene. -Okay. Great.
-Which was a mistake, I guess. -Yeah, yeah, yeah.
-I did not know. -A beautiful mistake.
-It really was beautiful. Here’s George MacKay in “1917.”
Take a look. [ Whistle blowing ] [ Explosions ] ♪♪ ♪♪ ♪♪ ♪♪ [ Cheers and applause ] -That was great, man.
George MacKay, everybody.

Tere Naam Rabha song | Rabha song video | New Rabha song 2020, New rabha song, new rabha gospel song


.
Nindo me aankho me pyaase khwaabo me Too hee too hai yaara mehakee saanso me
Har bechainee rah rah ke yeh kehatee hai Har dhadkan me teree chaahat rehatee hai
Tere bina… Tere bina…Tere bina… Naamumkin hai jindagee kaa gujaara sanam
Ho jindagee kaa gujaara sanam Duree hai majburee hai tanhaayee hai
Teree yaad hame kis mod pe laayee hai Apanee toh manjil hai teree raaho me
Jina marna hai abb teree baaho me Tere liye… Tere liye…Tere liye Tere naam hamne kiya hai jivan apana saara
sanam Ho jivan apana saara sanam Tere naam, tere naam

Haschak Sisters – Anything You Can Do I Can Do Better

Haschak Sisters – Anything You Can Do I Can Do Better


uh Gracie umm Nacer umm Sierra Neal Yes! Um Olli… Jonathan sweet wait what So where all my girls at?
(Right here!) It’s time to show em how we do it now
(It’s on!) That trouble trouble coming real fast
(Uh huh!) But we walk like we talk
Cause we know we got— game So where all them boys at
(Come on!)
We heard the rumors and the chit chat
(Uh huh!) But now we bout to get the last laugh
(Oh yeah!) Can you walk like you talk?
Cause you say you got— game Bout to set it off, see it all go down
We can settle this in the spot right now You could pick the game, we’ll go round for round It’s no doubt
Ya lemme see ya Lemme see ya work
Show me your best effort Come on bring it on, I do well under pressure Giving giving up (no!)
Forfeit neva Anything you can do I can do better Lemme see ya work
Show me your best effort Come on bring it on, I do well under pressure Giving giving up (no!)
Forfeit neva Anything you can do I can do better Anything you can do I can do— better
Anything you can do I can do— better Anything you can do I can do— better
Do better
I do— do better I’m a boss chick
I don’t really floss, I just profit Off these – fellas who ain’t used to taking losses Better watch it, Never know when I might just go off quick Beat by the girl with a poppin’ lip gloss kit Style in my game, the fit to match (aye!) If you really want it, I go tic for tac I’m talking down to the letter
Forfeit neva Anything you can do
I can do betta Bout to set it off, see it all go down We can settle this in the spot right now You could pick the game, we’ll go round for round It’s no doubt
Ya lemme see ya Lemme see ya work
Show me your best effort Come on bring it on, I do well under pressure Giving giving up (no!)
Forfeit neva Anything you can do I can do better Lemme see ya work
Show me your best effort Come on bring it on, I do well under pressure Giving giving up (no!)
Forfeit neva Anything you can do I can do better Anything you can do I can do— better Anything you can do I can do— better Anything you can do I can do— better Do better
I do— do better Aye
Whats that sound
We turning up
When it all goes down Aye
Ya talk is cheap You might got game
But you can’t beat me Aye
Whats that sound We turning up
When it all goes down Aye
Ya talk is cheap
You might got game
But you can’t beat me Lemme see ya work
Show me your best effort Come on bring it on, I do well under pressure Giving giving up (no!)
Forfeit neva Anything you can do I can do better Lemme see ya work
Show me your best effort Come on bring it on, I do well under pressure Giving giving up (no!)
Forfeit neva Anything you can do I can do better Anything you can do I can do— better Anything you can do I can do— better Anything you can do I can do— better Do better
I do— do better

Do Not Play: “Hunk Alert,” “Hands Up Boogie”

Do Not Play: “Hunk Alert,” “Hands Up Boogie”


-Before we start,
I just want you all to know that every artist and song that I’m about to play for you is 100% real. [ Laughter ] These are actual bands
and actual songs. You can find them on Spotify
or Amazon or Deezer. -Sure.
[ Laughter ] Scrambo.
-Yep. Strambo, stuff like that. -Marsale. [ Laughter ]
-Meepmorp. [ Laughter ] -Anything that you listen
to music on. Or you can go
to your local music store and see if they have them
because these are real stuff. Quest, these are
absolutely real. -I don’t believe you.
-No — I-I-I– [ Laughter ]
You’ll see what it is. Let’s see what’s on my
Do Not Play list. This first one here is
from a singer called Raed Melki The album is called
“Straight Through.” There’s Raed.
-Raed? -He’s up against like
a chain-link fence. -Mm-hmm.
[ Laughter ] -Staring at the Moon with a road going through his chest. [ Laughter ]
-Straight through his chest. -I get it. I get it. Makes sense. Let’s take a listen
to this breakup song. It’s called “No Way.” -Mm. [ Hip hop plays ] -♪ It was like 30 days,
no less than that ♪ ♪ It was like straight
from above, those days, man ♪ ♪ It went straight
from above to a hatemare ♪ ♪ The police there ♪ ♪ I thought she was like
from above, my baby ♪ ♪ But I thought,
no way, man ♪ ♪ Believe me, girl ♪ ♪ I’m walkin’ away,
I’m leavin’ your world ♪ -Alright, [laughing] stop,
stop, stop, stop, stop. Stop, stop, stop.
-Did you start the song yet? [ Laughter ] -It almost sounds like
he’s singing backwards. [ Laughter ]
[ Rapping indistinctly ] Flip it and reverse it. [ Unintelligible singing ] Anyways, she broke up with him.
-Wow. Really? -Unfortunately.
-Who woulda thunk? -Well, this next one is a Polish
singer named Ian Fell. -There you go. -Have you ever heard of
Ian Fell? -Yeah!
-Okay. -Come on! Come on!
-The song — This is real. The song is called
“Coffee Break.” -“Coffee Break.”
-That’s the name of the song. Ian Fell.
-Polish singer. -Yeah. Let’s take a listen. -♪ Have a coffee break ♪ ♪ Have a coffee break ♪ ♪ Have a coffee break ♪ ♪ Coffee break ♪ ♪ Coffee, please ♪ ♪ With sugar ♪ ♪ With sugar ♪ ♪ With sugar ♪ ♪ Coffee break ♪ ♪ Coffee, please ♪ -All right, that’s good.
That’s good. -Yeah!
-Not bad. -You know the words.
-‘Cause I listened to it. I listened to it
like four times. -You know the words already.
-It’s not me singing. -No, it’s a catchy tune.
-It’s catchy. But can you imagine the people
behind him in line at Starbucks? -♪ Coffee break ♪
-♪ Coffee break ♪ -♪ Please, with sugar ♪
I love it, man. -Oh, here we go. This next one is from an
electronic band… -Sweet.
-…called TheySay. -TheySay. -The song is called
“Hunk Alert.” Let’s take a listen to it.
♪♪ -♪ Hunk alert ♪ ♪ Hunk, hunk, hunk alert ♪ -♪ Tight buns ♪ ♪ Fire burning ♪ ♪ Tight jeans ♪ [ Cheers and applause ] ♪ Tight shirts ♪ -Alright, that’s good,
that’s good, that’s good. Stop, stop. I love it.
-That was fantastic. -♪ Tight buns ♪ ♪ Tight pants ♪ ♪ It’s a hunk alert ♪ -I was wondering what
Arnold Schwarzenegger was up to, but he’s in a new
band, trying to — -The soundtrack from
“Sprockets.” -Yeah, doing “Hunk Alert.” ♪ Tight shirt ♪ ♪ Tight pants ♪ ♪ Barely fits in his clothes ♪ This next one is a reggae song.
-Oh, good. -I love reggae.
Yeah, absolutely. I think we should listen to
more reggae music. His name is Tony Williams.
[ Laughter ] [ “Hunk Alert” plays ]
No, no, no. No, that’s not Tony. -It’s a hunk alert. -The album is called
“Simple Things.” I would have called it
“Simple Tings.” -Oh, there you go. Yeah, that’s ’cause you’re on
top of the polls. -Anyway, he’s from Idaho, and —
-Wait, wait. -Wrote a reggae song.
-Reggae’s big there. -Wrote a reggae song about it
called “Up In Idaho.” -Alright.
-Let’s hear it. ♪♪ -Yeah, this one’s for all
the people in Idaho. All the Idaho crew,
this one’s for you. ♪ Said I packed up my car
and left L.A. ♪ ♪ In a wicked man’s land
I can’t stay ♪ ♪ So, where do I go? ♪ ♪ I’m back to Idaho ♪ ♪ With the deer and the moose
and the Buffalo ♪ ♪ Can’t forget about potatoes ♪ -Alright, yeah.
Stop, stop, stop. ♪ Can’t forget about potatoes ♪ ♪ Can’t forget about potatoes ♪ -♪ Pass the French fry on
the left-hand side ♪ ♪ Pass the French fry on
the left-hand side ♪ -♪ The music make me
jump and prance ♪ -Idaho! -♪ The music make me
jump and prance ♪ ♪ You hear it on the
stereo, stereo, stereo ♪ -This last one —
We’re down to our last album. -Oh, come on!
-I’m sorry. But it’s a ’70s album…
-Oh, great. -…called “Disco for Kids.”
-Oh! -So, this song is called
“Hands Up Boogie,” and this teaches kids
how to disco-dance. Let’s take a listen.
♪♪ -Here we go with
the hands-up boogie. -I think we should do it. Higgins, Roots, audience,
try it. -Front, back, left, back. Change, two, three, four. Cross, two. Cross, two. Cross, two. Hands up. Front, back. Front, back. Change, two, three, four. Cross, two. Cross, two. Cross, two. Hands up. Arms, two, three, four. Five, six, seven, eight. Turn, two, three, four. Five, six, seven, eight. Hands up, hands up, hands up. Hold. Again.
Front, back… -Oh, it couldn’t be easier. That’s all the time we have for
“Do Not Play.” If you have an album or a song
you think we should do on our next “Do Not Play,”
I want to see it. Send suggestions —
[email protected] Stick around. We’ll be back with
Martin Lawrence, everybody. ♪♪
[ Cheers and applause ] -Hands up. Arms, two, three, four. Five, six, seven…

Dewan-A-Dance Music Video | Season 1 | FLIRTY DANCING

Dewan-A-Dance Music Video | Season 1 | FLIRTY DANCING


JENNIE – ‘SOLO’ CHOREOGRAPHY UNEDITED VERSION

JENNIE – ‘SOLO’ CHOREOGRAPHY UNEDITED VERSION


Innocent and delicate I’m tired of pretending I’m done What are you up to? Where are you? Did you eat? Goodnight Baby, Darling, Honey, I miss you It’s all useless You got me like This is not a touching Love story No romance no sincerity I’m sorry, but I’m not sorry From today on I’m a shining solo I’m a shining solo I’m going solo lo lo lo lo lo I’m going solo lo lo lo lo lo Used to be your girl Now I’m used to being the GOAT You’re sittin’ on your feelings I’m sittin’ on my throne I ain’t got no time for the troubles in your eyes This time I’m only lookin’ at me, myself and I (I’m goin’ solo) I’ma do it on my own now Now that you’re alone, got you lookin’ for a clone now (So low) That’s how I’m gettin’ down Destined for this and the crown Sing it loud like This is not a touching Love story No romance no sincerity I’m sorry, but I’m not sorry From today on I’m a shining solo I’m a shining solo I’m going solo lo lo lo lo lo I’m going solo lo lo lo lo lo After the relationship, romance, emotion there’s Breakup, tears, regret, longing I like being alone, because I should be true to myself Like the flowing wind Like the stars above the clouds I want to go far away, I want to shine brightly I’m a shining solo I’m going solo lo lo lo lo lo I’m going solo lo lo lo lo lo

Haschak Sisters – Diary (Official Music Video)

Haschak Sisters – Diary (Official Music Video)


(music) Waiting on that letter from the college of my dreams I’m hoping I’m wishing Maybe she can hand me down her jeep Top Down and I’m singing Some days I’m happy and excited wanna shout it out but I write it down Ya some days
I don’t know what will happen if I dream out loud so I write em down All of these All of these secrets
I keep em in Keep em in
My diary, my diary All of these All of these secrets
I keep em in Keep em in
My diary, my diary All of these all of these Wondering if he likes me back or not I’m hoping
I’m wishing Playing dress up with their clothes is more fun
If it’s missing
Then we’re twinning Some days
I’m happy and excited wanna shout it out but I write it down Ya some days
Things don’t go as planned and I might get bummed out
So I write em down All of these All of these secrets
I keep em in Keep em in
My diary, my diary All of these All of these secrets
I keep em in Keep em in
My diary, my diary All of these all of these All of these, all of these Secrets I keep
Written inside my diary in ink
ev-er-y new person place thought and dream I keep it secret Behind lock and key All of, all of these Secrets I keep
Written inside my diary in ink
Ev-er-y new person place thought and dream
All of these all of these things All of these All of these secrets
I keep em in Keep em in
My diary, my diary All of these All of these secrets
I keep em in Keep em in
My diary, my diary All of these, all of these

K-POP WITH ZERO BUDGET! (BLACKPINK – ‘DDU-DU DDU-DU’)

K-POP WITH  ZERO BUDGET! (BLACKPINK – ‘DDU-DU DDU-DU’)


[Music] [Laughter] [Music] welcome to intro to zero budget I am your teacher today single my men have a fat check No hey young lady please get off the table no you can’t be doing that do something what is that a hammer Oh a light stick no no no you can’t have that here bring it to the front please don’t be mean hey hey you two no miss you can’t be doing that here settle down nobody’s little thing to me everybody fails I quit this is such a dumb idea [Laughter] this is not look I have you look great you look great do it again with some music it’ll be better just do 95 for its one bite Justin’s it online but just what the fuck Justin [Music] come through with the uh what what is it uh what does that mean no you’re just saying the same thing over again what are you talking about Adam this is the worst date ever stop with the flower man it doesn’t look good it does not look good you know how you always tell the dog counts on Instagram yeah so yeah I got you a dog you got me a dog yeah man are you serious yeah yeah wait what braid is this oh it’s a shirt breed whoa wait wait cat pad him is he friendly yeah man he’s looking friendly is he gonna bite does he bite nah man he only bites big people so I’ll be fine right yeah man yeah Adam that might be one of these stupidest things